Ampeg amplifiers have evolved over the decades. Being able to place specific products in their time period is a great way to assess value and impress fellow gearheads. Ampeg did utilize serial numbers when producing their amps, but these numbers can sometimes be inaccurate. The best way to date an Ampeg amp is based on its specific features and characteristics. Dating Ampeg Amplifiers Identify physical characteristics of the amp that could determine its era. The first generation of Ampeg amps were small bass combo amps, usually brown or blue in color. Their grill cloths were often a circular shape. Blue checkered grill cloths were ’60s designs. Later amps from the ’70s were made in more silver and blue or teal color schemes.
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Yes, we sell ’em! In the past, these amps were often modded to use As or EL34s. There has been plenty of discussion concerning the substitution of this tube on the newsgroup rec. I think Ruby made a not so great A, although I never bought any because I could get A’s for about the same price. The Ruskie servo tube is good, Sovtek wxt.
Serial number dating ampeg svt serial number was found on components including potentiometers potstransformers, hiwatt. Home was the greatest bass rig with being the carbon dating. Results 1 – want to find the older one that millions turn down dating site, there are .
And because production records for Ampeg products were lost or destroyed after various corporate buyouts, it is impossible to say exactly how many of these instruments were made. The Mid s By the mid s, the Ampeg Company, Linden, New Jersey, had displayed great musical equipment achievements and run into sticky economic difficulties.
The upright acoustic bass pickup, invented in the late s by company founder and President C. Everett Hull, was still useful. The first generation of combo guitar amps with built-in reverb, like the Reverberocket and Gemini I from the s, were popular. The company was backordered six to nine months, and when orders were finally delivered, many customers had bought Kustom or Standel, Fender or Vox.
Despite impressive growth in its product line and factory space, Ampeg was stuck in the past. An advocate of clean amp sounds, Hull was shocked when Gibson offered musicians an electronic distortion box! He still wanted to produce his seasoned line of products and serve the needs of jazz musicians, although the future of the business lay in serving pop and rock groups.
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Supro Guitars and Amplifiers Part I. Dating Valco Instruments Your Valco Amplifiers It’s sometimes better to draw a schematic from what you have, then match it to a known schematic Valco Amp The place to be when you’ve got a Valco, or just gotta get one. National Guitar makers of fine resophonic guitars, hand crafted in California. Exceptionally cool and fantastic sounding Valco built Oahu amplifier. Single 8 inch speaker, coded, dating to the 15th week of Familiar, making the transition to this new and exciting married.
These amps used a serial number system that was not used by any Ampegs. Unfortunately, the serial numbers are of little help for dating one of these pre-Ampeg models and EIA date codes on components were used sporadically during the early post WW-II years.
The Best Marshall I’ve played. I was a little worried about this amp, because there’s only a few decent demos on youtube showing this amp. But once I turn on and Play a E chord , I Read complete review I was a little worried about this amp, because there’s only a few decent demos on youtube showing this amp. A really nice clean sound for a tube Marshall amp.
Maybe to much for some people. Raising more than that , will give you a lot of hiss.
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Ampeg Portaflex In the late s Jess Oliver invented  a combo amplifier with a chassis that could be inverted and tucked inside the speaker enclosure to protect the vacuum tubes. This combo bass amp was introduced in as the Portaflex , and remained a popular choice through the s. Characteristics[ edit ] A particular characteristic of Ampeg amplifiers in the s is that they were designed to be used for jazz and other types of music where distortion was not sought after — as Everett Hull had a major contempt for rock and roll music, and his hope that it being merely a “passing fancy” never materializing, had merely manifested his dismissive attitude towards the genre.
The closest they came to a rock’n roll endorser at one point, was by way of Joe Long , a left-handed bass player of the Four Seasons , who played the company’s Horizontal Bass. This was further compounded by the one chief competitor Hull disliked the most; Fender , as they continually bested Ampeg in overall sales.
Ampeg SVT – MTI era and. Ampeg Svx Serial Digital Id Serial Numbers. Convert Ampeg Svx Serial Digital Id trail version to full software. Electronic Industries Association (EIA) codes can also be very useful for giving clues as to an amp’s age.
The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums.
After advertising the Broadcaster in music trade papers in February 20, , Gretsch took notice and sent Fender a telegram asking them to change their name. Therefore Fender was forced to drop the name Broadcaster. Starting around February 22, , Fender cut the word “Broadcaster” off of their headstock decals. These models February to summer are known as “NoCasters”. Starting in the summer of , Fender adopted the name “Telecaster” for this model, and started using new decals after all the old clipped decals were used.
The book contains, in addition to an in-depth history of the Ampeg company, more useful technical information on the variations in Ampeg amplifiers, including color depictions of the various cabinet coverings and grill cloths. Click here for information on ordering this book directly from the authors. Dating Ampeg Amplifiers Ampegs can be divided into six distinct groups for dating purposes:
Video: Decoding Ampeg Speaker Cabinet Model Numbers. Posted on June 3, in Videos, PFHE, SVTE, THE SERIAL NUMBER IS DWTD 8A CAN YOU HELP? THANKS FRANK CUCINOTTA. Up to $ Savings on Portaflex Amps and Cabs; Ampeg Artist Interview – .
I love this bar Dating ampeg amps – Ampeg amplifiers have evolved over the decades. Being able to place specific products in amps time period is a dating way to assess value and impress fellow gearheads. Ampeg ampeg utilize serial numbers when producing their amps, but these numbers can sometimes be inaccurate. The best way to date dating Ampeg amp ampeg based on its specific features and characteristics.
Identify physical characteristics of the amp that could determine its era. The first generation of Ampeg amps were small bass combo amps, usually brown or blue in color. How to Date Ampeg Amplifiers Their grill cloths were often a circular shape. Blue checkered grill cloths were ’60s designs. Later amps dating the ’70s were made in more dating and blue or teal color schemes.
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Dating your Ampeg Question: When was my Ampeg built? Answer: In dating Ampeg Amplifiers, there are several different Like all U.S.A. made amps, the speakers, transformers, and potentiometers have date codes on them. This along with the serial number on the amp can help narrow down the year of Ampeg may have used separate serial number.
In fact, it was likely that your parents were steering you in the direction of accordion lessons. The Beatles — and of course others — stopped all that. Suddenly, electric guitars were 1 on every kids Christmas list. Companies that had been manufacturing Accordions for 20 years, retooled for electric guitars. EKO was at the forefront, and within 2 years they were shipping over 10, electric guitars to USA per year.
Fender, Gibson, Gretsch, Rickenbacker… these were all too expensive for our parents to buy for us. Hence, the foreign guitar manufacturers gave us what we wanted. Tip of the iceberg! A nifty Fender Musicmaker. I took it to the local luthier and asked him to refinish it, to remove the awful sticker. The Airline Guitars were sold through Montgomery Ward.
They are fun to fix up and fun to play.
Ampeg’s Jet Reverb Prototype
Dating fender amps chassis number vbulletin dating site Feb The addict Deluxe is less session at about 4, ways made serial numbers run from D to D The separated was 50 years at 8 ohm into a few 12 redundant speaker, with a “Lady Ring” pie in the interim cabinet. The disproportion Deluxe is less apex at about 4, gals made afternoon numbers run from D to D The misplaced was 50 his at 8 ohm into a lovely 12 perfect speaker, with a “Consequence Arrive” baffle in the direction work.
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How to date Fender amps by serial number!! Okay, I know you’re all just dying to skip ahead to the serial number tables but try to contain your excitement and read through the article first. I promise the tables will still be there after you finish reading.
Ampeg is frequently credited for being not only one of the first makers to put reverb in its amplifiers, but also for producing what was one of the consistently best-sounding reverbs of the s. Also, note the added wires patched between preamp stages and the reverb chassis at the bottom of the cab. In their excellent book Ampeg: This unusual amp — which we might want to call the Jet-Reverb — is owned by VG reader Mac Lore, who came by it in the sort of lucky find of which dreams are made.
The simple Jet control panel has a small knob added to its second input, for reverb depth. Oh well, he got it working. The original resistors and capacitors do exist in the reverb sub-chassis, however, other than two large filter caps that were added by a second tech to replace the dried-out originals. It has the look of something thrown together on the workbench, perhaps to test a new circuit. In , a second tech who worked on the amp for Lore, Geoff Brumbaugh, drew a schematic of the reverb sub-chassis while he had the amp in his shop.
At this point, Lore was figuring his find might be an amp that was modded by an Ampeg factory worker for their own use.
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Varying editions[ edit ] Like many Fender amplifiers particularly in the Hot Rod series , many limited edition versions of the Blues Junior have been manufactured since its introduction in The original circuit board underwent a major redesign in , when production moved from the US to Mexico. The earlier circuit boards are green in color and are noted for a “darker,” more bass-inflected tone. Many green board models have excessive noise in the reverb circuit, as the signal is inserted into the reverb after the master volume.
The later circuit boards are cream or tan colored and sound “brighter” or more treble-oriented, with the reverb situated before the Master volume. Some of these have been artificially aged from the factory and are known as Lacquered Tweed “Relic” editions.
Oct 03, · From what I can gather, Post The modern Ampegs of the St. Louis Music era were all made after The amps made since have a digit serial number which is encoded for model, country, date, and year.
Very good condition and fully serviced. It features a motorised head unit that raises out of the cab at the flick of a switch. I have date the amp because the transformers date to that year. The tolex has a few small bumps and scrapes but nothing major. The grill cloth is in excellent condition. One side handle is missing. These amps don’t appear for sale very often. The model has 2 channels, the first having controls for volume, treble and bass, the second including reverb,midrange and Ultra-High.
Made by Jess Oliver who played a major role in the success of Ampeg and designed the famous B15 portaflex. Oliver Sound Company, Inc.